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・ Wolfgang Michels
・ Wolfgang Mieder
・ Wolfgang Mitterer
・ Wolfgang Mommsen
・ Wolfgang Moser
・ Wolfgang Muff
・ Wolfgang Mulack
・ Wolfgang Musculus
・ Wolfgang Muthspiel
・ Wolfgang Hirschbach
・ Wolfgang Hoffmann-Riem
・ Wolfgang Hofmann
・ Wolfgang Hohensee
・ Wolfgang Hohlbein
・ Wolfgang Hollegha
Wolfgang Holzmair
・ Wolfgang Hoppe
・ Wolfgang Hottenrott
・ Wolfgang Huber
・ Wolfgang Hutter
・ Wolfgang Hönig
・ Wolfgang Hünnekens
・ Wolfgang I of Oettingen
・ Wolfgang Ilgenfritz
・ Wolfgang Ischinger
・ Wolfgang Iser
・ Wolfgang Jansen
・ Wolfgang Jerat
・ Wolfgang Jeschke
・ Wolfgang Jilke


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Wolfgang Holzmair : ウィキペディア英語版
Wolfgang Holzmair

Wolfgang Holzmair (born 1952 in Vöcklabruck) is an Austrian baritone.
Holzmair studied at the Vienna Academy of Music and Dramatic Art. He won 2nd prize in the baritone class of the 's-Hertogenbosch International Vocal Competition in 1981, and a year later 1st prize in the Musikverein International Lieder Competition, Vienna.
==Opera==
Holzmair spent about six years with opera companies in Bern (Bern Theatre) and Gelsenkirchen (Musiktheater im Revier) before successes in Udo Zimmermann's ''The White Rose'' and Claude Debussy's ''Pelléas et Mélisande'' brought him to general attention〔()〕 His repertoire includes rarely performed works such as Henze's ''Boulevard Solitude'', Nigel Osborne’s ''The Electrification of the Soviet Union'',〔David M. Cummings in International Who's Who in Music and Musicians Directory ()〕 Hindemith's ''Neues vom Tage''〔()〕 and Poulenc's ''Les mamelles de Tirésias''.〔()〕
More standard works〔(Listed under Owen White management )〕 include Richard Strauss's ''Capriccio'' (the Count), ''Ariadne auf Naxos'' (Harlequin and the Music Master), ''Der Rosenkavalier'' (Faninal); Mozart's ''The Magic Flute'' (Papageno and the Speaker) and ''Così fan tutte'' (Guglielmo and Don Alfonso); Wagner's ''Tannhäuser'' (Wolfram), and ''Meistersinger'' (Beckmesser). In the 2009/2010 season he sang Demetrius in the Canadian Opera Company's production of Benjamin Britten's ''A Midsummer Night's Dream'',〔(Opera News review of ''A Midsummer Night's Dream'' )〕 the Father in Humperdinck's ''Hänsel und Gretel'' on a tour in Japan, and the Sorceress in a concert performance of Purcell's ''Dido and Aeneas''〔(Dido and Aeneas review )〕 in Vienna

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